![]() ![]() Is there a way to achieve the same result but without the use of the hacky code that I'm missing? I feel like I'm missing something simple. It's almost as if this specific use case of QProgressDialog ('infinite loading' but with a minimum duration delay) is being singled out. The d->bar->value is initialized to -1 and reset to -1 when QProgressDialog::reset is called. If the maximum is set to 0 (for 'infinite loading') before the value is set to 0 (which starts the minimum duration timer), then QProgressDialog::setValue simply returns. The reason for the hack is that in the Qt source, there is this explicit check: (d->bar->value() = -1 & progress = d->bar->maximum()) That is the entirety of the relevant code. OnResults method (callback that handles returned results) m_progress->reset() OnProgressCanceled slot m_progress->reset() M_progress->setMaximum(0) // set maximum to 0 to get 'infinite loading' progress bar M_progress->setValue(0) // starts the minimum duration timer M_progress->setMaximum(100) // some value != 0 (0 is the value passed to setValue) 'Look up data' button onClicked slot (sends request to back-end and shows dialog) // HACKY CODE. M_progress->setLabelText("Looking up data.") Ĭonnect(m_progress, SIGNAL(canceled()), this, SLOT(onProgressCanceled())) If the results are returned 'quickly', eg setWindowModality(Qt::WindowModal) I am able to do it using a bit of hacky code, but wanted to ask if there is a more correct way to do it.Ī query is made to some back-end service and the results may come quickly or may take a little more time. I think one beautiful thing about the ending is that what they are experiencing is just for them.I am trying to use QProgressDialog to display a modal dialog window that shows an 'infinite loading' progress bar, but which also takes advantage of the minimum duration which can be specified before showing the window. ![]() As a viewer I heard only the soundtrack, and what they were saying was just for them. And we're part of an abusive society that chases away what is beautiful and transformative about love.Īlso, when I see them on the sunset beach on Jeju Island, I think of a lot of other scenes where their words to each other were private, when they're walking, when they're in nature, when they're alone togehter. But I think that the reason they seem so far away at the ending is that the drama is saying that society really treated them like crap, and so they've had to escape everything they've known, the place they lived, her family that also was a kind of family for him and his sister, her job. I wanted to see more of them being together, too. That parity is really nice for setups like mine if you've got a Series X in the living room and a PC in another room, I can play anywhere I want and it all pulls from the same save. When he talks with his friend and sister, and she talks with Bo Ra, they each reveal, even unwillingly that they're still very much in love. I don't see any reason they wouldn't use the exact same system as MCC for tracking progress. ![]() When she stops packing up her apartment to go yell at him on that rainy night, it's to finish a lover's quarrel. ![]() Every moment of coldness, nervousness, inauthenticity, and conflict is them revealing to each other how much they still care. I think that each and every interaction between Joon Hee and Jin Ah starting with his appearance at the wedding is a dance bringing them back together. That moment when she's in the car with the businessman boyfriend and slips out of her seatbelt, out of the car, and walks out on him is like the first brick out of the dam. My impression was that her move to Jeju Island wasn't a financial decision, but that after she sees Joon Hee again, she gradually reevaluates everything in her life, sees that it's killing her, and one by one frees herself from each and every deadening element. Although with Jin Ah, I think it was also a sense that she had tried to change her life and somewhat failed after Joon Hee left - she followed through with the lawsuit (progress), but went back to having a socially acceptable boyfriend who treats her like crap (regression.) She feels that the only way to try again is to get away from her triggers that cause her to regress (break up with her boyfriend, move away from her mom, leave her job.) Seeing Joon Hee again at the wedding reminds her of her fight, even if she doesn't think she can be with him again. I think that's also why she (and Bo Ra) ultimately left the company. So he sacrificed the most visible person, but didn't do anything else. Based on how the President initially responded to the claim, and then the subsequent claims from the other women, it was clear he wasn't invested in making that kind of change. It's realistic because the sexual harassment was so entrenched in the culture of the company that the only way to really stop it would be a complete culture change with pretty drastic action coming from the top. Meaning one person (the VP) got sacrificed to show the company was doing something, but that nothing really changed within the company. I always thought she won, but (like in the real world) it was an imperfect win. ![]()
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